A lot of people have been positively commenting on the new techniques I've been using lately. I know sometimes a stylistic shift can be a bit jarring so thanks to everyone for coming along for the ride. I thought I would offer some insight into why to keep my "Nothing in art should be secret" mantra. I first started doing things this way for two reasons:
One was because I was dicking around one night and generated something that I thought was worth sharing (to my surprise). That pic was the Maxx [link] . That experiment lead to a solution for another problem I had been trying to solve. That problem is reason number two: Even though my fully painted style is pretty fast for a fully painted style, I have been looking for a solution to get ideas down much quicker so that I can explore more of them in a short span of time. I knew that for me that meant bringing in heavy linework and going from there (for comfort sake). I looked to artists like Bill Watterson and Doug TenNapel who developed styles that accommodated their own need for speed. I thought about why they handle their work the way they do, then, I incorporated some of what I already do (textures, effects, cel shading) and there you have it.
That's why I did a pic of EWJ! I think Doug TenNapel is one of the more special artists out there. His designs are always awesome so I wanted to pay tribute to one of my recent influences.
It's been a TON of fun to play around with and has been a great outlet on the side. So, for those of you that dig the painterly stuff: It's not going away. I have something to post on Monday to prove that. But since I am pretty jam-packed with freelance, this style is probably what will show up on DA more often for now.
This entry was a little verbose, so I apologize. I thought it might be interesting but I fear it might just be self-indulgent, hehe.
From Maxx forward.....Simpsons, Timon and Pumbaa, Mummies Alive, DIlbert, Eight Crazy Nights, Family Guy, Lil Bush, Slacker Cats, The Goode Family and then a bunch of pilots scattered in there and since.
I'm a freelance concept artist that works in videogames, comics, animation... whatever I can get my hands on. I've worked in house a lot until the beginning of this year.
That would be cool! I'm out of San Francisco. Actually, we haven't publicly announced it yet but a friend of mine and I are forming a concept studio. I'll let you know once we have it up and running to see if you are interested.
M!
How do you fill up your days and pay your bills?
I'm a freelance concept artist that works in videogames, comics, animation... whatever I can get my hands on. I've worked in house a lot until the beginning of this year.
M!
M!